I still have all my summer reading lists from high school. The eternal optimist in me thought that someday I’d run down that list and read each one. Years later, I still haven’t read more than a few of those books, but that collection spawned a very important way of thinking for me. As a student, I treated these reading lists like they were the word of God – that to be a writer or English major in college, these were the texts I should be reading. Still, there was a quietly blasphemous part of me that questioned that belief and as I grew older, I realized that even these holy lists were imperfect. Fast forward to last year, when I was studying my Goodreads “to read” and “previously read” lists. I noticed biases reflected…

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My feelings about this novel were like the swells of the sea. At times, I loved the magical realism and the character interweaving, while at other times it was disjointed and irreverent, as the biographical information dragged on for pages with nothing really happening, like a the conversation you wish you hadn’t started with the stranger at the bus stop. The last 30 pages or so are where this book earned its rating for me. This was the ultimate “wait for it…” book. The culmination of everything that happened, the justification of the need for so many frustratingly confusing characters and the symbolic meaning of so much of the book all came together at the end. I didn’t truly *get* the novel until then and when I did, it had a big pay off. I…

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We often hear that people aren’t reading much these days. Is the death of books eminent? New research by the Pew Center points out that people are still reading paperback and even hardcover books – in fact, often preferring them to e-books. It startled me into recalling a conference I attended while still a book editor in publishing – I seem to recall 1981 as the year – entitled “The Death of Books.” Hah. People read books and e-books. More people are listening to audiobooks. We have many more choices in how we consume the stories between book covers, even as we discover more and more sophisticated ways to acquire information. Here’s an interesting article about how reading real books is still pervasive. And here’s another about the growing interest in audiobooks, which is why we podcast for…

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I recently attended “Bookstock 2016,” the Woodstock, Vermont, annual book festival. Many of us authors had our published works on display, for sale, and it was there I met author Stephen Seitz and his wife Susan. He’s written quite a few novels in the mystery genre and as we talked I became more interested in reading his work. I bought this one, Secrets Can’t Be Kept Forever, in paperback. The story begins innocently enough, focusing on the trials and tribulations of Ace Herron, the crime reporter for a small local newspaper that’s been bought by a media conglomerate. In the course of his work he learns of a father who has embezzled a large sum from his employer, kidnapped his son, and taken off for parts unknown. Ace pursues the story, which takes many surprising twists…

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If Alexandre Dumas were alive today, he would be living fat, admired and happy with the royalties just from his two biggest hits, The Three Musketeers and The Count of Monte Cristo. In all likelihood, you have read one or both of these novels, which are among the finest examples of the thriller genre – and glorious writing to book. Dumas, writing some 200 years ago, knew what audiences liked, and he gave it to them. Michael Ross writes in his biography, “Of ten plays by Dumas and Victor Hugo, eight of the characters are adulteresses; five are common prostitutes; six are seduced; four mothers are in love with their sons or son-in-law; eleven persons are murdered; and in no less than six of these plays the leading character is either a foundling or a…

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