Artist’s Statement: I do not believe in formal artist statements. Art should speak for itself, and the artist should maintain a respectful distance and silence. I work intuitively and compulsively, probably believing that there are archetypes that are shared among us all, but amenable to being expressed in one’s own individual style. I have been doing digital paintings and drawings for the last 10 or so years. It is a good fit to my personality and nature, being able to go forward, then back, then back and forward, and not having to worry about wasted canvas. And digital work allows for sharing work with more than one person rather than just one person “owning” a painting. *** Edward Michael Supranowicz is the grandson of Irish and Russian/Ukrainian immigrants. He grew up on a small farm in Appalachia. He…
Barbara Potter — Musician Photographer
Artist’s Statement: Photographed on a local lake front. I wanted to try a wide-angle lens before purchasing it. I rented a 14-24mm and it did not disappoint! It allowed me to get very close to my subject, so you hopefully feel like you are right there listening to them play like I did! Eight images were used from this session for the vinyl record album and cd cover insert but this image was not chosen by the record label. It was my favorite from the session. My client was taking a break when I noticed the two reflections in the mirrors and got this shot. This image was shot in my client’s den . . . a very small den, which made it extremely challenging. The original portrait was very colorful. Purple velvet jacket, burgundy chair and peach color…
Peter Jarvis: Realism, Art and Process
Artist’s Statement: My inspiration lies in the topographical drawings and watercolours of the 18th and 19th centuries. My work is objective and realistic and true to the Italian term, veduta esatta meaning “exact view.” My passion for and belief in the sketchbook as a means of understanding subject matter is central to the success of my watercolours. The very nature of the sketchbook in its portability and mobility on location means it is innately suitable in this pursuit and as a precursor to more finished work: it is immediate and intimate and requires the minimum of materials. The activity of drawing on location plays an integral part in my understanding and appreciation of the notion of place: placing oneself as the central reference point during location drawing. This knowledge and experience also enables me to work from photographs alone when it is…
Kimberly Brooks — Paintings from History
Artist’s Statement:I work in series, diving into subjects from many different angles of observation, history, and memory. I strive for a result that descends from the clouds in my mind like lightning to the earth, to light a night sky or occasionally set a tree on fire. I painted for years in my head before I ever held a brush. So I have therefore been painting all my life. And as a way of speaking, it suits me. The first time I showed my work so many years ago, I felt so exposed, I blushed. I paint both abstract and realistically, always hovering in between, in search of something new. *** Kimberly Brooks is an American artist and author of The New Oil Painting (Chronicle Books). She is known for her portraits and landscapes in…
Rebecca Hosking — Multitalented Creative
Photo above: Elephant Camp, Chang Mai, Thailand Editor’s Note: This month’s featured artist is also a very talented musician and poet. Check out Rebecca Hosking’s diverse creative endeavors below. Not All Witches Belong to a Coven Not all witches belong to a coven. Put aside the stereotypes. Expand your mind and think outside of the box. Mother nature lives inside all of us. She is the mother of the earth. Her medicine lives in the plants that feed off the dirt. Get your feet wet, dabble, and expand your mind. Not all witches wear black clothing or dance naked in the garden just before dawn. This woman lives alone. She lives among her dreams, works hard like a graceful wave carrying life to the shore. She warms her skin with the sun and finds energy…
Forensic Foraging Photography by William Crawford
Artist’s Statement: The trite, trivial and mundane are often dismissed by today’s technology driven photographers. Images shot can unlock the beauty and intrinsic value hidden in most everyday things. Thus, an old fractured glass window found on a wrecked desert shack might better be presented as a compelling image. Such a transformational presentation can be achieved by applying basic photographic techniques: framing, lighting, coloration, saturation, contrast, etc. This precise application of seminal tenets can often transform the mundane into something pleasing. This process forms the essence of Forensic Foraging. Photographers today possess a plethora of powerful technical tools. High resolution sensors, potent post processing software, and cameras with such jacked up processors that they could, in a pinch, support the governmental operations of a small city. Many camera images today all but surpass the human capacities…
Ann Privateer — Photography from Near and Far
Artist Statement: I took these photographs because they caught my eye. The vivid colors and my closeup technique make me stop and take a second look: blood orange, surprise clover–searching for a four leaf, shoes that sparkle, a fetal pistachio nut, and a pink pansy. From pin-hole cameras in elementary school to my very own Brownie camera for Christmas, I have been fascinated with taking photographs practically my entire life. So many cameras later, I now most often shoot with my Sony phone. Some of these photographs were taken in Paris, France and one in my kitchen after cracking open a pistachio nut which, to me, resembled a fetus. *** Ann Privateer is a poet, artist, and photographer. She grew up in the Midwest and now resides in California. Some of her recent work has…
Alex Nodopaka – “Computer Aided Design” Art
Artist’s Statement: I am a multifaceted artist who practiced traditional painting, drawing, photography & sculpture until the advent of the PC. Subsequently, my art evolved into pure computer graphics. I have quite a bit of experience from graphics through watercolors and oils and etching and sculptures in many mediums such as ceramics, bronzes, wood and assemblages. All my artistic life and beyond has been totally dedicated to art to the point of fixation, if not light obsession. I work serially. That is, periodically, I come up with a certain manner and style in my artwork, then conclude that series after 50 or so examples/variations in each category in that fashion, then I move on. Operating in such fashion created a problem with artwork storage and that is when I decided to strictly create CAD art….
“Shush Please,” Poetry and Art by Tamizh Ponni
Shush please On a cold winter night I lay in the comfort of soft blankets and cushy pillows The non-stop titter-tatter against all tangibles mercilessly broke my hard-earned slumber Sliding and slithering over and over Crystalline droplets raced on the glassy tracks without much caution or trepidation. The uncoiled skeins of climatic emotions were desperate to bring glee into doldrums. I woke up, sat up and stayed up leaning towards the window pane, listening to their tantrums All night in silence, eyes closed, ears open It was a performance that clamoured for attention from lonely souls and midnight owls. I wish it came with a volume control The loud clatter and yellow lights, were acting like partners in crime brutally stirring up memories of good times Days that could not be reclaimed Nights and people…
“Love Apple” — The Cartoons of Prachi Valechha
Artist’s Statement: I’m Prachi Valechha and I’m a freelance cartoonist and 2D animator from India. I enjoy milkshakes, kiddie goggles, dancing in the shower and I’m the creator of the fictional town called PeachTown. I’m one of those people who think in visuals, not words and the need to be able to communicate and express better is what got me into art. Not to forget playing with color and controlling movement. I’m inspired by wild architecture, road and motel signs, Toshio Saeki, Ai Yazawa, Vince Collins, Sally Cruikshank, 90s Cartoon Network, Aeon Flux, shows like American Horror Story: the confusing, shocking, wild kind of things. Cartoons and media have taught me more than school has ever done and I believe that’s it’s an amazing medium to bring a change – while making it look fun….