Artist’s Statement:I do not believe in formal artist statements. Art should speak for itself, and the artist should maintain a respectful distance and silence. I work intuitively and compulsively, probably believing that there are archetypes that are shared among us all, but amenable to being expressed in one’s own individual style. I have been doing digital paintings and drawings for the last 10 or so years. It is a good fit to my personality and nature, being able go forward, then back, then back and forward, and not having to worry about wasted canvas. And digital work allows for sharing work with more than one person rather than just one person “owning” a painting. *** Edward Michael Supranowicz is the grandson of Irish and Russian/Ukrainian immigrants. He grew up on a small farm in Appalachia. He has…
What “God” Is: A Philosophical-Scientific Essay by Steve Sangapore
Pictured Above:LIBERATION72″ x 48″ x 1.5″Oil, mirror, and 24k gold leaf on canvas2020 What God Is (WITHOUT THE WOO WOO) Why God is the Pursuit of Meaning The evolution of the concept of God is one of the oldest, deepest and most important developments to ever have risen out of the human psyche. Throughout almost every culture on Earth we have seen evidence of belief in the divine. The idea of God or a creating force has evolved from the earliest known manifestations represented as human-animal hybrids, to pantheons of intervening superhuman gods, to God as man made flesh on Earth, to more contemporary notions of God as the totality of the universe and its contents. Humans in their desire for answers to life’s most pressing questions have creatively reimagined and transformed God over the…
Bill Wolak — Collage Art as a Mirror Image
Image Pictured Above: “When Summer Unlocked All the Doors” The joy of collage is finding the endless connections between seemingly unrelated things. In some collages, the juxtaposition of ordinary with the delirious diversity of dream imagery forces the mind to make contact with the marvelous. Each collage is an invitation to view the world differently. What is most unexpected suddenly becomes as familiar as an old friend’s favorite song. I make collages out of all kinds of materials. Most are made out of paper engravings. Many collages are digitally generated or enhanced. To begin a piece, I select some sources—either color or black and white. If I’m using magazines or prints or old books, I cut out some images or parts of images that interest me. Then I start working on a background or some other sort of chance construction. Much is left to fleeting insights. …
Paulo Navarro — Surrealist Expressionist Paintings
As a university student, Paulo founded his own gallery and art academy. At first it was a children’s art academy (Pintando Ilusiones) and later PHI Gallery, where important established and emerging artists shared the space created by Paulo. This artist also participated in the “Circulo de artistas emergentes,” an emerging group of artists with which he traveled through various Latin American countries representing his nation, and created important exhibitions and artistic cultural projects. Within this group, he exhibited in Costa Rican spaces as well as other destinations like Nicaragua, Panama, Cuba and Japan. He has also exhibited individually at the University of Costa Rica, at the Creative University. In Nicaragua, he has exhibited individually in the city of Granada in the Gallery of the Casa Los Tres Mundos Foundation. In Mexico, in the city of Monterrey, Nuevo Leon presented a sample of his work at the MuZiak Academy…
Fabrice Poussin — Painting the Roses Red
Editor’s Note: This month’s featured artist is Fabrice Poussin, an FC alum from 2018. In this collection, he presents his photography of spray-painted flowers and other objects. But this is no Alice in Wonderland redux. Find out what inspired Fabrice to take on this artistic project. I believe the artist must be like the bright-eyed child. He must seek beauty (what is beauty in his mind) and translate it into his own expression to inspire awe, bewilderment, joy, sadness, endless emotions to the viewer, reader, or listener. If he cannot find it, he must create it. These photos were conceived from a strange gift from a friend. He left me a number of cans of paint. For quite some time I wondered what I may do with those, and it occurred to me, and this…
Former FC Art Barista Steve Sangapore Interview
Today we are sharing an interview with former Fictional Café Visual Art Barista Steve Sangapore. Fountain Street Gallery, located in SOWA the artistic hub of Boston, presents this interview in their series LIVE AT FIVE on Instagram. LIVE AT FIVE features a 30 minute interview of Boston based artist Steve Sangapore who will talk with Tatiana Flis about art, life, and his most recent painting series titled New Eden. You can follow Steve on Instagram at @stevesangapore. INFO:WEDNESDAY, JULY 01, 2020 | 5:00–5:30 PM EasternLIVE AT FIVE w/Fountain Street GalleryJOIN US ON INSTAGRAM LIVE@fountainstreetgallery
Ben Gencarelle: Art’s Irrepressible Strangeness
Artist’s Statement: “We are all strangers in a strange land, longing for home, but not quite knowing what or where home is. We glimpse it sometimes in our dreams, or as we turn a corner, and suddenly there is a strange, sweet familiarity that vanishes almost as soon as it comes.”― Madeleine L’Engle In the wrong place, in the wrong time, in the wrong job. Maybe misunderstood, maybe deluded, maybe both. Afraid. Too raw, too ugly, too real. Too much. Maybe you’re an immigrant. Maybe you’re neurodiverse. Maybe you’re both. Whatever you are or are not, the message is clear: you don’t belong here. So it starts. Masking. Crumpling up corners and sanding off edges. Tearing off the “extra” and pasting the scraps over the transparent places. Sometimes it helps. Sometimes you can fool them,…
Mario Loprete — Urban Paintings on Concrete
Mario Loprete Artist’s Statement: I live in a world that i shape at my liking, throughout a virtual pictorial and sculptural movement, transferring my experiences, photographing reality throughout my filters, refined from years research and experimentation. Painting for me is the first love. An important, pure love. Creating a painting, starting from the spasmodic research of a concept with which I want to send a message to transmit my message, it’s the base of my painting. The sculpture is my lover, my artistic betrayal to the painting. That voluptuous and sensual lover that gives me different emotions, that touches prohibited cords… The new series of works on concrete it’s the one that is giving me more personal and professional satisfactions. How was it born? It was the result of an important investigation of my work, the research of that “quid” that i felt was missing….
William Crawford — Forensic Foraging Photography
Artist’s Statement: The trite, trivial and mundane are often dismissed by today’s technology driven photographers. Images shot can unlock the beauty and intrinsic value hidden in most everyday things. Thus, an old fractured glass window found on a wrecked desert shack might better be presented as a compelling image. Such a transformational presentation can be achieved by applying basic photographic techniques: framing, lighting, coloration, saturation, contrast, etc. This precise application of seminal tenets can often transform the mundane into something pleasing. This process forms the essence of Forensic Foraging. Photographers today possess a plethora of powerful technical tools. High resolution sensors, potent post processing software, and cameras with such jacked up processors that they could, in a pinch, support the governmental operations of a small city. Many camera images today all but surpass the human capacities…
Katherine Coons: An Autobiographical Art Journey
Artist’s Statement: “My work embraces several concepts simultaneously. The images in this proposal portray an autobiographical picture of my life, my travels, and the places that I have inhabited. I make creations that fit my mood, energy, and temperament. My inspiration comes from the nature that surrounds me, and I am deeply influenced by differences of culture, color, and the diversity of attitudes and ideas gleaned from these aspects. Numerous travels abroad to Europe and Asia have greatly influenced my artworks, having spent much time observing different peoples and their cultures. Documenting my daily thoughts in sketchbooks, and subsequent ruminations on, and drawings from my daily excursions evolve into greater arenas of art making. Collected curios from these places are infused into my mixed media artworks and installations. My creations are derived from these experiences, while my art exhibitions illustrate these memories.” “I am greatly inspired by large, sprawling landscapes such as those of Alaska where I lived for seventeen years. I describe the paintings that evolve from these landscapes as gestural, fleeting sensations of transitory time and place. I would describe my work as expressionistic. Newer paintings include…