In Yong Takahashi’s debut collection of stories, The Escape to Candyland, the main character is dilemma. That’s the featured role in this series of recursive, interwoven stories: the human heart in conflict with itself. Takahashi’s protagonists labor under myth-like predestination and curse; they are often tortured by the knowledge of what ails them, compounded by the inability or unwillingness to overcome it. Hence dilemma. Very few suffer in ignorance – most of the men and women in these stories know they are beset by a personal menace (an abusive husband, guilt over a brother’s death, an obsessive-compulsive mother), and many understand that their deliverance lies in plain sight, but who among them can seize it and afford to lose a pillar of their identity – past trauma. Perhaps, then, the apt word to describe each member of…
“The Escape to Candyland,” A Review
