If Alexandre Dumas were alive today, he would be living fat, admired and happy with the royalties just from his two biggest hits, The Three Musketeers and The Count of Monte Cristo. In all likelihood, you have read one or both of these novels, which are among the finest examples of the thriller genre – and glorious writing to book. Dumas, writing some 200 years ago, knew what audiences liked, and he gave it to them. Michael Ross writes in his biography, “Of ten plays by Dumas and Victor Hugo, eight of the characters are adulteresses; five are common prostitutes; six are seduced; four mothers are in love with their sons or son-in-law; eleven persons are murdered; and in no less than six of these plays the leading character is either a foundling or a…

Continue reading →

“I confess that the sensation attaching to the name of an absent person bedazzled me. I became ambitious of this glory of making people talk about me places where I was not.” – Alexandre Dumas   Paris, 13 Mai, 2016. In France, a country that reveres its authors, Alexandre Dumas is considered a national treasure. He was a prolific writer, most notably for stage plays, novels, and travel nonfiction. He is said to have written 100,000 words, an estimate which, given that he penned some 400 works, must certainly be a low estimate. Dumas was also a man who lived large and loved every moment of his life, which speaks to his character and a subject of equal or greater interest: Le Chateau de Monte-Cristo. [You might enjoy watching this short video, although it’s in French.]…

Continue reading →