Lorraine Martindale, The Fictional Café’s editor-at-large, has published new work which explores ideas of how one tells stories, and how the process often leads to new discoveries. “A Magical Stumble Back in Time” muses on how collage artist Joseph Cornell’s work creates visual stories, in Raft Magazine. In Shift: A Journal of Literary Oddities, “A Lemon and Almond Tart for Manny Eggertsville” reveals how a character changed when the sister’s story became more interesting, using an old, found recipe. And in “Beverages, San Francisco” an imagined conversation plays out among a certain set in Sazeracs, Smoky Ink. *** Lorraine Martindale is our Editor-at-Large. She is a freelance writer and editor who loves to read and talk about books. She has an MFA from the New School in New York, and is at work on a…
Interview with InkWell Publishing by Lorraine Martindale
InkWell Publishing Interview Q&A With Beverly Floyd and FC Barista Lorraine Martindale Beverly Floyd’s advice to writers: You are more than the words you put on paper. Discover who you are and what you want your writing to do for yourself, your readers, and the world. The founder of InkWell, Beverly Floyd, speaks about her inspiration in starting a new press, how writers can prepare for publishing, and challenges she’s faced beginning her new venture. A true advocate for writers, she believes in writers’ visions for themselves, and works closely with each writer to help them share their unique stories with the world. InkWell is presently accepting submissions for next year, and is looking for summer interns. Fictional Café: Inkwell is a rather new indie publisher. What is your former publishing or writing experience, and what…
“Books for Writers,” An Editorial by Lorraine Martindale
Books for Writers Though writing is solitary art, it’s also communal, and we all have favorite authors that teach and inspire us. Here’s a list of books I read often to gain deeper understanding how to write and edit my work. The Writing Life by Annie Dillard What is this writing life? Annie Dillard asks. “You climb a long ladder until you can see over the roof, or over the clouds. You are writing a book. You watch your shod feet step on each round rung, one at a time; you do not hurry and do not rest. Your feet feel the steep ladder’s balance; the long muscles in your thighs check its sway. You climb steadily, doing your job in the dark.” Like her celebrated work, Dillard illuminates the writing life with intelligence, humility,…
Jennifer Green & Lorraine Martindale: New Baristas
Please join us in welcoming our two newest Baristas, Jennifer Green and Lorraine Martindale! We are excited to add these two talented editors to our team. You may have noticed their contributions already, but if not, check them out here and here. You can learn a little more about them on our Baristas page or just keep reading! About Jennifer:Jennifer is our Publications Barista. An English teacher by day and freelance editor by night and weekend, she loves helping writers find their voices and refine their craft. In addition to completing the editing certificate through the University of Chicago Graham School in 2020, Jennifer holds degrees in psychology and English from North Carolina State University, Meredith College, and the University of Nottingham (UK). When she’s not teaching or deep into a developmental edit, she can be…
“Shirley Jackson: A Rather Haunted Life,” A Book Review by Lorraine Martindale
Shirley Jackson: A Rather Haunted Life is a biography of horror fiction writer Shirley Jackson by Ruth Franklin. My first encounter with Shirley Jackson was reading “The Lottery” in junior high. It was the first story that truly disturbed me; the stoning of an innocent woman was a shock. The culprits were not villains. They were regular people, going about their regular lives in their bucolic village. Jackson was confronting conformity at a time when the individual wasn’t valued. I could have been one of them. I wasn’t the only one implicated. After it was published in The New Yorker in 1948, the magazine received letters calling “The Lottery” “outrageous, “gruesome,” and “utterly pointless.” The New Yorker had never received so much mail in response to a work of fiction. Jackson received letters as well,…