“Blue Ridge Autumn” ONE On a cold but sunny afternoon, late autumn, Wendy hurries up a chilly, pine-shaded sidewalk. And as she hurries, she memorizes her favorite poem from that semester’s study and strife; she, sounding out dee-dum, the stresses of iambic rhythm, while inhaling the rich aroma of pine boughs hanging over her ascending walk. After another week of classes, just a few weeks more, at the university across the ridge, but now Wendy hurries on up to her waitressing job at the restaurant and hotel called “The Grove Park Inn,” where Scott Fitzgerald and Zelda dined, where Thomas Wolfe rushed to write—gazing out to Mount Pisgah. Hopkin’s “Spring and Fall,” the sounds stepping inside Wendy’s fresh-air brain, as she recites the lines on an autumn day cold enough to need a woolen sweater,…
“Botticelli’s Oranges,” The Poetry of Reed Venrick
Botticelli’s Oranges In an Italian port village near where the boy called “Allessandro” grew up, some thought his circles drawn must be made with a mechanical compass, so round, so fine, there in the Mediterranean sand, where Botticelli grew into youth, wandering through the orange and lemon groves of the Italian littoral; even then sketching lines of muscular trunks and extending arms branching into fingers of leaves, mixing into colors of rinds of reds and yellows. But when youthful fingers grew long enough to put a brush to canvas, he tinted the precious fruit In Madonna with Child and Angels, where she sat under blooming orange trees in spring, for the artist used orange trees to symbolize the virgin, because as he said: among fruits, only oranges are evergreen, “if one sees the mean.” So…