Editor’s Note: A Weekend Arts article in The New York Times caught my attention with its title, “Blending Poetry, Ritual and Data on Oil Drilling.” It’s about an installation created by Imami Jacqueline Brown she calls “research art” and in which says she wants to “demystify oil and gas production.” It was the last thing I ever thought I’d see pursued in art, but then again reading Winner’s Curse was a revelation of its own: a novel set in that same business, which its practitioners used to refer to in the Texas drawl, as “th’ awl an’ gaas bidness.” The notion of a “winner’s curse” is explained on the first page of L.A. Starks’ engaging new novel, the fourth Lynn Dayton thriller. It stems from the fact that drilling for oil was (and may still…
Winner’s Curse: A New Novel by L.A. Starks
