By James Osborne Editor’s Note: Yesterday, we published Part I of this two-part excerpt. If you haven’t read it, you can scroll back on the home page slider to read it. When they arrived at the school, the three national elders were waiting. With them were Namusat’s current chief and the local council, and another local elder. When everyone was introduced and seated, Chief John Boisvert turned to Paul and said brusquely, “Why have you come?” Paul heard a sharp edge in Chief Boisvert’s voice, but he could see his eyes were not angry or aggressive. They bore a look of elegance and kindness… and much sadness. “I have not come with handouts nor have I come with any promises,” Paul replied. “I came to listen, perhaps to learn from you, and with your help…
“Secret Shepherd” – A Novel Excerpt
By James Osborne Editor’s Note: Due to the length of this excerpt from James Osborne’s new novel, we are presenting it in two parts, today and tomorrow. This is an excerpt from the book SECRET SHEPHERD, copyright © 2018 by JAMES OSBORNE. Published by Solstice Publishing Inc. Excerpted by permission of the author. All rights reserved. Namusat, Quebec, Canada November 1994 “Another two just last night!” Dan Stonechild said, his voice breaking. “That’s four suicides here in three weeks, Paul. Oh my… four! Four little kids!” Paul Winston embraced his friend awkwardly. Both wore knee-length parkas against the 30 below zero cold, their hands thrust deep in double-layered mittens, their feet clad in fur mukluks. Paul had just arrived on a chartered plane in the remote First Nations community of Namusat in northern Canada, after…
“The Maltese Goddess”
Saturday Night at the Podcasts We are so delighted to welcome ZBS Media back to The Fictional Cafe with “The Maltese Goddess,” an entertaining and original takeoff on Dashiell Hammett’s novel, The Maltese Falcon. Not only is the script first class, but the ZBS Artistes have added two extraordinary aspects to this storytelling. One, from time to time the main characters break into song. And not just any song, like a pop diva, but operatic song in which the character is singing their lines from the script! They call “The Maltese Goddess” a detective opera. It’s just great, and even if you don’t think you like opera, I think you’ll like this. Two, the entire three-episode production is recorded in 3-D sound. What in the heck is that? you may be asking, so I thought…
Casey Stanberry, Architectural Illustrator
We’re pleased to introduce some new and fascinating art from Boston’s Casey Stanberry. Casey was trained as an architect and furthered his education at an art school in Spain. There, he participated in his first art shows and allowed the dense, historic architectural fabric to inspire his work. Originally from South Carolina, he has always had a passion for historic architecture and its relationship with contemporary daily life. His work reflects the intersection of the built environment and fine art in sweeping perspectives captured in painted and penned architectural diagrams. Artist’s Statement “These pieces are drawn in elevation, plan, section and aerial to best expose certain structural and aesthetic qualities. Paint is sometimes layered over drawings followed by pen, which gives pieces a sense of being in architectural progress. There is an analytical approach to…
“Never Odd or Even”
A New Short-Short Fiction by Janelle Hardacre Editor’s Note: Ever wonder what goes through the mind of a fish and chips cook? Wonder no more. ** I collect things to tell her. Did you know that ‘never odd or even’ is the same backwards and forwards? I think she’d like that. Some of the things in the collection are white lies; like that her mam didn’t wanna see me anymore because I could never get the grease stink out. It’s getting busier. I slide the slice under the fish, check that the batter isn’t burning, then pull across the Perspex door. The hiss of the fryer blocks out the small talk of the server lasses. Every time I go to shake the chip baskets I see her name in flicky writing on my arm, so…
The Poetry of Keith Carreiro
A Caprice of Nature the earth, a drop of cerulean dew in a black puddle ocean of space, whirls on its news paper axis, while I walk by portland amazed at a barber seated in his cutting chair — he plays paganini on a violin. the ancients thought the soul capable of re-remembering life if asked precise questions such acuity would provide a channel through which the mind and heart might flow as a modern when i again experience what an ancient knew i see the might and decay of empire wane and glow in the yes of joy in the no of sorrow time a current of mystery with its own tug and pull rushes my spirit within its tidal pulse knowledge re–born is useless without wisdom as a sage…
The Weekend Podcast: “Anna Schutz” by Dean Peterson
We have a terrific new audio arts program for you tonight. It’s the story of an enigmatic young German woman named Anna Schutz and an American GI named Oli, who has a really bad case of depression. Or, in the author’s words: “A white-clad phantom seen running through the woods in Germany . . . a warren of abandoned tunnels under an American base . . . a forgotten clinic once used by the Nazis . . . one soldier’s obsession to solve a fifty-year old murder before his suicidal plans go any further. Listen to the madness unfold in Anna Schutz. “It’s like Jarhead meets The Shining.” We are providing the first six chapters to whet your appetite for this strange, enchanting ghost story, narrated with great empathy by the author. And speaking of the author, please be…
The Poetry of the Prolific Mercedes Lawry
A Woman Who Paints Saturated sky, two figures buta suggestion near a yellow blushof wheat. The eye regards, sensesthe repetition of hours, a trajectoryof absence, a pause. Whatcollection of brushstrokes emergesfrom this woman, dismissed or chided,discouraged or sick of the moon’sromantic lies. To choose this roundedshape, smear of viridian, she bravesthe tyranny of time and place, her children and the hungryhouse, all that love regrets. When she paints, she is betweenellipses, melds hand and eye,draws in the gases of the sun,exhales this field, empty of wind,and these two who might be toilingor traveling or devoted. Message intention of rootsdown and around earth seethes invisibly,a conjunction of hunger the knowing of treeto tree, beyond a pale, cream sky the wind is emphaticleaves, unanchored, blood red to dun brown,become a handful of flakes mingled with bird wingand seed, November’s pulse of loss I…
Mark Greenside’s New Rabelaisian Novel
The Night at the End of the Tunnel, or Isaiah Can You See? Editor’s Note: This excerpt is reprinted with the permission of Weasel Press. Copyright © 2018 by Mark Greenside. All Rights Reserved. “It was the best of the worst of times, the worst of the best of times, the beginning of the end of the beginning.” That’s how this story begins. It’s late 70s, early 80s, New York City, and nothing works. No place is safe. Porn is everywhere. The streets are filthy, and the subways are worse. Trust is committing suicide–love is abused, and institutions and individuals are corrupt, corrupted, or corruptible. The City and country are disintegrating. Enter two of the unlikeliest characters you’ve ever met–think Charlie Brown meets Mr. Natural, or Alfred E. Neuman in The Heart of Darkness. All these guys want…
Old Age: Three Vignettes by Jo St Leon
Dementia I can’t find the word. Somewhere, in the swirling mist of my mind, I know it’s there. Just out of reach. I chase it but it skips away from me as it laughs. It doesn’t want to be caught today. I used to use it, the word, with such ease. It would trip off my tongue, along with a lot of other words, to make sentences, stories, jokes. A whole river of words, ever-present. Unappreciated, until now. Now, I would give anything for this one word—the perfect word—to say just what I mean. For the uncomprehending face which frowns before me to clear and shine with understanding. Still the word prances, dances, teases me as I reach out to grab it. Always on the periphery, never centre stage. I begin to get angry. I…