Unendurably Gentle From the upstairs Room, one could not tell Cloudy from clear Until the sun was Well up into the leafy Metacoloring limbs of resolute Trees; by that Time, a skein of noise had Cracked like a whip and lingered like Sustained applause, up Over the roof of the Room, quite invisible, in its Passage south–voices Of the atmosphere calling As, one suddenly Imagines, voices may Also call us from water or fire It is only later, while Digging shallow Trenches for spring Bulbs, that one looks Up over one’s Shoulder to seek the butterfly casting That wavering Shadow and is surprised to see A single red leaf hovering On the wind Voiceless A handful of bulbs, Sunlight And the leaf-swept air Circadian Rhythm Receptive to a fault The mind composes an…
“The Trio” — A Short Story by Nick Sweeney
Of the men in the trio, one managed a hardware store, another was a supervisor in a factory producing plastic parts for light fittings, and the other a print shop proofer. Their white collars were discolored, verging on frayed, their shirt cuffs grubby, though they had to have a Sunday best at home. They were men out of old magazines and black-and-white movies, from a different time, I sometimes thought, yet there they came, swanning into mine. Every Tuesday, Wednesday and Thursday, they converged on a corner on the edge of the industrial district, where three roads met, then, without pausing, marched into our little restaurant. “Never call it a diner,” Dad warned me, a long time before I set foot in there to work. “It’s a restaurant.” But with a cook, and not a chef, and no espresso machine, it can’t even be called a café; it’s a diner. There’s nothing wrong with that. In our ad in the local rag, it says we serve ‘good, honest, home-cooked food’. Those commas are the loudest items on the page. It’s not too off-the-mark to say I’m…
“Tumours on My Chest” —Poems of Anindita Sarkar
Tumours on my Chest Tear drops, popcorn, kidney peas, red ants collectively navigating through a complex quarry, a fable of sequins, or say like the child with knotted limbs who couldn’t make it till dawn break. Is it vitriolic? Not like the toothache that barges in when we are mid-flight into our dirty deeds, but like the cramps on arcane purple mornings when you are buried in deep sleep. Will they appear again? You mean like the hairs on my bald terrain? Theory says yes like uneasy questions searching for meaning I hope this time they are photogenic. Robot Mom No girly time but a relic of disenfranchised relationship. She weaves the worn-out pillowcase with my butchered dreams, ignites the chipped tile fireplace with paper-cuts from my Origamis she wouldn’t let my art…
“Red Studio” — A Short Story by Bob Conklin
In your lover’s studio, everything is red—the chairs, the coverlets, the bedspread, the afghans, the doilies, the end tables, the lamps, the lampshades, the sofa. Red is how she likes it. The easel itself is painted red, as is the canvas, and she always wears a red dress. To mention individual items is a pointless exercise, as it is impossible to distinguish shape from shape, item from item, form from form. It strains perception, and your eyes must make a profound adjustment coming into the room, and then readjust when you leave. It is similar to entering a room that is without light, pitch black, except that once your eyes adjust to the perpetual darkness, you come to accept the featureless quality of the darkened environment. Or else your eyes begin to detect faint shapes,…
“E T R A H” — The Poetry of Michael T. Smith
E T R A H During the moon landing I was on earth But ever asked: how subjective is ‘here?’ At what point does famil’rity have birth? In a dark side of the sun place a hearth. Because a home of heart is without peer During the moon landing I was on earth Beg with a Styrofoam cup of such worth: Spacemen in a fishbowl of walls not clear. At what point does famil’rity have birth? For space to be on a premium dearth On a TV screen wide enough for cheer. During the moon landing I was on earth Hands held across a million miles in mirth Static dances for grains of a soiled year At what point does famil’rity have birth? Our empty hands surround a riddling girth A small doubloon of proximity ne’er near During the moon landing I was on earth …