For fifty-three years the Hilltop Diner on College Street fed the academic community of the University of Southern Iowa (USI). Dr. Benjamin “Blue” Boru’s usual table occupied the back corner by the bathrooms underneath the giant wheezing room air conditioner. Blue arrived daily at six a.m. and ordered The Special: two eggs (fried hard), two slices of buttered toast, hash browns, pork sausage links, and black coffee. After breakfast, Sheila Morgan, the owner’s redheaded daughter, cleared away his plate while Blue poured over Nag-Hammadi manuscripts. She left him alone, except to refill his coffee. She waitressed mornings, cooked for the lunch crowd, then called in the produce orders. Late afternoon and evenings she studied. Sheila began a master’s degree in religion the year she turned forty-three. Her first class was Blue’s. He’d been a regular…
The Mechanics of Melancholy: Engaging Poetry by Rick Ratliff
Dark hallways Long hallway, doors on either side Like the departure platform at a rail station. No eye contact, everyone looking down, Shuffling along the bland grey floor. Away from the new arrivals Lighting is always dimmed like perpetual twilight And darkness creeps out of some doors like a black fog We come to say goodbye to those who no longer hear, And who stare blankly at the ceiling: While we are looking at the floor. Departure time is slowly approaching, Breathing is mechanical like worn breaks And the smell, the odor that’s hard to describe– Body odor with musty deodorant Exhalation is pungent. No talking now It goes quiet at departure As we silently stand in ovation as we exit FORGOTTEN SONG FORGET ME NOT She’s not you — yet, neither are you, (anymore) You would like her; I think. Flaxen hair (like yours) And I trust all the understanding A widow has of memories and loss. That helps, as I am daily learning To be the reluctant guardian…
Jennifer Judge’s Poetry Tells Us The Way Things Just Are
PEOPLE Always say you know what to do when your child cries, you just know, like some parent gene kicks in, the knowledge springs up in your brain like it’s always been there, a priori knowledge. But that’s a load of bullshit. Watch a baby fall backwards and drop a chair on herself. You see the chair going but you can’t get there in time to stop it, and you can’t control the gasp that escapes you. You’re not supposed to gasp, have to remain calm so that the child does. And when there’s nothing, nothing, nothing that calms her after the fall—walking, talking, hugging, singing, kissing—you know your love is not strong enough now for anyone, that you are what you are, failure of a parent, and you know this is your life now….
William Wolak, Master of Collage
Bill Wolak has kindly consented to share his masterful collage works with Fictional Cafe, and we’re delighted to bring his work before you. As his collages take different form and shape depending upon his ideas and materials, so it is with his work and creativity. Titles are displayed beneath images. Bill Wolak teaches creative writing at William Paterson University in Paterson, New Jersey. In addition to creating collages, he is a poet and a photographer. He has just published his fifteenth book of poetry entitled The Nakedness Defense with Ekstasis Editions. His collages have appeared recently in Naked in New Hope 2017; The 2019 Seattle Erotic Art Festival; Poetic Illusion; The Riverside Gallery, Hackensack, NJ; the 2019 Dirty Show in Detroit; 2018 The Rochester Erotic Arts Festival and The 2018 Montreal Erotic Art Festival. artist photo courtesy India Times
Aphrodite’s Revenge: Two Poems by Madison Culpepper
Even Aphrodite Has Lazy Days I apologize for the days I don’t wear make-up or dress in tight gowns, and for the days I don’t try to seduce a man to feel worthy. I used to bathe myself in lavender to attract men. Right now, I’m tired and alone. My confidence wilts when I don’t plaster my face with a glow brighter than the sun. Today, I’m lying beneath blankets in nothing but sweats and skin. My hair is tied into a bun, purple scoops under my eyes. I wish a man could see that even without my highlight I’m still beautiful. Most days, I may appear like the pink sunsets pouring into violet streams. But beneath the gloss and glow and goddess sheen, I’m just a woman, a person. Someone who is more than vanity. And with my face bare, I hope my soul can finally shine, lilac light blooming freely through my skin after all this time. Citrus Grief Rows of oranges make a masterpiece in…