Hampstead Heath | John Constable | 1820 | On Display at the Fitzwilliam Museum Steve Sangapore was recently featured on FC not too long ago, but with Election Day on the horizon for Americans, we felt like we needed to share this excellent piece as well. Like all of Steve’s previous pieces, he sparks a very insightful discussion on an incredibly complex topic. Take a look, and remember to vote if you haven’t already! I am a firm believer in the fundamental message of Dr. Martin Luther King. An individual’s character is the true measure of a human being, not our superficial branding that is a matter of the universe’s roll-of-dice like ethnicity, gender or place of birth. Our virtue, character and morality are what we have the power and freedom to control. Equally, I…
Mario Loprete: Urban Paintings on Concrete Pt.2
We are happy to feature the talented Mario Loprete once again on our website. Mario shares even more of his paintings and sculptures with us, showcasing his unique and captivating style. Artist Statement: Painting is my first love. An important, pure love. The base of my paintings starts from the spasmodic research of a concept and transforms into a message that I want to send to the viewer. The sculpture is my lover, my artistic betrayal of the painting. That voluptuous and sensual lover that gives me different emotions, that touches prohibited cords . . . I worked exclusively on my concrete sculptures in the last few years. I use my personal clothing for my concrete sculptures. Through my artistic process, in which I use plaster, resin and cement, I transform them into artworks to…
10 Collages by Bill Wolak
One of FC’s most beloved contributors has returned! Take a look at 10 more collages by the talented Bill Wolak. Artist’s Statement: Everywhere we look there are faces staring back at us. Out of the corner of the eye, we spy a wink from a passing shadow or a smile in a gleam of water. We project our selves outward into the field we experience. Collage sets out to record these fleeting impressions. “Drifting on a Strangers Smile” “Aloof as the Touch of a Mirror” “Learning How to Breathe Through Your Own Scars” “The Slip Knot’s Enticing Touch” “Tingling That Deepens Every Embrace” “Quick as a Smile’s Net of Moonlight” “The Arousal of Circular Lips” “The Tenderness of Seeds” “The Whisper of Sand” “With the Flesh of Awakening Moonlight” Bill Wolak has just published his…
“Between The Notes” by Steve Sangapore
*Featured image courtesy of Mike Castro Demaria on Unsplash* Let’s be honest: life can be hard. As artists we often create art as an outlet to relieve some of life’s stress, but what if this has the opposite effect? Read along for a transparent and insightful take from FC’s former Fine Art Barista Steve Sangapore, as he shares some of his struggles and discusses how taking a step back from creating helped with healing his mental health. The Value of Rests in the Music of Life Can art heal? Yes. I believe that the creation and the consumption of art both have the power to heal, feed and improve the human soul and intellect. However, through firsthand discovery, I learned that there are indeed situations in life when the creation of art can not only lose…
Bill Wolak — Digital Collage of Bygone Eras
Artist’s Statement: I make collages out of all kinds of materials. Most are made out of paper engravings. Many collages are digitally generated or enhanced. To begin a piece, I select some sources—either color or black and white. If I’m using magazines or prints or old books, I cut out some images or parts of images that interest me. Then I start working on a background or some other sort of chance construction. Much is left to fleeting insights. These are tiny miracles of inspiration. Depending on whether I’m using scissors and glue or digital images, each collage could take several hours. *** Bill Wolak has just published his eighteenth book of poetry entitled All the Wind’s Unfinished Kisses with Ekstasis Editions. His collages have appeared as cover art for such magazines as Phoebe, Harbinger Asylum, Baldhip…
Aislinn Feldberg — “Dream World”
Artist Statement: I enjoy experimenting and creating art with a dark, bizarre flair in order to create a dreamy scene or landscape. My work demonstrates conflicting natures of human nature or of materials (flowing delicacy or brutal strokes). I attempt to include sarcastic or whimsical humor in my art whenever I can. I draw inspiration from my surroundings and artists that I admire, such as Gaugin, Max Ernst, Frida Kahlo, Banksy, Vincent van Gogh and Yayoi Kusama. *** Aislinn Feldberg is a writer and visual artist from Queens, New York. She is currently a Junior with a major in Studio Arts at Bard College. Her work interweaves with prior dreams and gothic influences. You can find her on Wrongdoing Mag or her website: www.oddityplayground.com.
Carolyn Adams — Art and Poetry
“Epiphany” In the Absence of Red Alarms My blood sisters remember what I’ve almost forgotten, the menses that measure our time. I’ve lapsed my membership in that club, I travel free from the 30-day clock. My time is counted differently now. Days are years, years are millennia, millennia are without measure at all. There is no monthly debt; all accounts have been balanced. I spend myself as I wish now, with no child or threat of one. I’ve reached a bargain with the planets, their moons, the sky and all of its diamonds. I won’t wish on anything anymore. I have what I need. Days pass quietly here in the corner of the universe where I savor the slight air of a spring night, where my steps have taken 60 years to make sense. I…
Eva Shaw — Whimsy Meets Reality in Art
Artist’s Statement: In my art, I attempt to share how the world conveys its impressions on me, whether in whimsy or reality. I love to study the complexities of nature, the swirls and hearts and mysterious shapes and then transfer them into how the brush meets the canvas. Sometimes that’s silly; other times it takes a few “edits,” as I can tweaking the objects and designs. There are even times when I return to a painting a month or more later knowing that a detail or a entire image needs to be changed. I enjoy painting as I do when writing books. It consumes me. *** Eva Shaw began painting a decade ago, after a year-long battle with breast cancer. She credits her late husband Joe’s comment that got her started. He said, “The shed…
“Painting for Personal Joy,” by Hume Baugh
Artist’s Statement: I’ve been painting for five years. I am mostly self-taught. When I started painting, I decided right away that I was going to paint for my own joy, not to please other people. I wasn’t going to worry about whether the paintings were thought to be good or bad but was going to celebrate whenever someone found something in them. I have worked in other artistic contexts and there is always pressure to do well, to excel. But what this resolution regarding painting did for me was free me to simply play. Like when I was a child and I had paints. Sheer playing. This has been my method of operation since. I learn all the time, I am always experimenting, facing challenges, correcting mistakes, following unexpected paths – that is part of…
“Landscapes,” Photography by Fabrice Poussin
Artist’s Statement: There is something grand to be said about solitude. Although it is not perhaps the ideal state most seek, it is nonetheless a privileged place in which to rest. When the noise stops and the silence of a pristine world sets in, things merely change within. Imagine inhaling the thinning air of high altitudes, of the desert, or the thicker atmosphere of one’s backyard. There is life in every particle if you take the time to slow down and abandon the humdrum of the city where it may appear everything is. It is quite unfathomable for many to understand the possibility offered by a solitary journey to where few venture. These images are an invitation to join and commune with something much larger than the daily unwanted duties of a busy human life. …