Janey was trying so very hard but her six-year-old-to-be fingers had not yet fully mastered dexterity. “Well, Poop!” She learned to cuss in the girl’s bathroom at St. Thomas Elementary. She tried again. She learned from her friend Alonda that Mommies and Daddies would get a divorce if they had arguments all the time. A divorce was a bad thing to get, Janey was sure. She didn’t want them to get a divorce. . .where would they put it? In her bedroom? There wasn’t much room in there already, with all the stuff they brought with them from their house. The apartment was too small and it smelled bad. She pulled a little to stretch the rubber band enough to get it to fit through the loop her little hands were able to form. She learned in school that…
“Unendurably Gentle” – The Poems of Alan Cohen
Unendurably Gentle From the upstairs Room, one could not tell Cloudy from clear Until the sun was Well up into the leafy Metacoloring limbs of resolute Trees; by that Time, a skein of noise had Cracked like a whip and lingered like Sustained applause, up Over the roof of the Room, quite invisible, in its Passage south–voices Of the atmosphere calling As, one suddenly Imagines, voices may Also call us from water or fire It is only later, while Digging shallow Trenches for spring Bulbs, that one looks Up over one’s Shoulder to seek the butterfly casting That wavering Shadow and is surprised to see A single red leaf hovering On the wind Voiceless A handful of bulbs, Sunlight And the leaf-swept air Circadian Rhythm Receptive to a fault The mind composes an…
“The Trio” — A Short Story by Nick Sweeney
Of the men in the trio, one managed a hardware store, another was a supervisor in a factory producing plastic parts for light fittings, and the other a print shop proofer. Their white collars were discolored, verging on frayed, their shirt cuffs grubby, though they had to have a Sunday best at home. They were men out of old magazines and black-and-white movies, from a different time, I sometimes thought, yet there they came, swanning into mine. Every Tuesday, Wednesday and Thursday, they converged on a corner on the edge of the industrial district, where three roads met, then, without pausing, marched into our little restaurant. “Never call it a diner,” Dad warned me, a long time before I set foot in there to work. “It’s a restaurant.” But with a cook, and not a chef, and no espresso machine, it can’t even be called a café; it’s a diner. There’s nothing wrong with that. In our ad in the local rag, it says we serve ‘good, honest, home-cooked food’. Those commas are the loudest items on the page. It’s not too off-the-mark to say I’m…
“Tumours on My Chest” —Poems of Anindita Sarkar
Tumours on my Chest Tear drops, popcorn, kidney peas, red ants collectively navigating through a complex quarry, a fable of sequins, or say like the child with knotted limbs who couldn’t make it till dawn break. Is it vitriolic? Not like the toothache that barges in when we are mid-flight into our dirty deeds, but like the cramps on arcane purple mornings when you are buried in deep sleep. Will they appear again? You mean like the hairs on my bald terrain? Theory says yes like uneasy questions searching for meaning I hope this time they are photogenic. Robot Mom No girly time but a relic of disenfranchised relationship. She weaves the worn-out pillowcase with my butchered dreams, ignites the chipped tile fireplace with paper-cuts from my Origamis she wouldn’t let my art…
“Red Studio” — A Short Story by Bob Conklin
In your lover’s studio, everything is red—the chairs, the coverlets, the bedspread, the afghans, the doilies, the end tables, the lamps, the lampshades, the sofa. Red is how she likes it. The easel itself is painted red, as is the canvas, and she always wears a red dress. To mention individual items is a pointless exercise, as it is impossible to distinguish shape from shape, item from item, form from form. It strains perception, and your eyes must make a profound adjustment coming into the room, and then readjust when you leave. It is similar to entering a room that is without light, pitch black, except that once your eyes adjust to the perpetual darkness, you come to accept the featureless quality of the darkened environment. Or else your eyes begin to detect faint shapes,…