In your lover’s studio, everything is red—the chairs, the coverlets, the bedspread, the afghans, the doilies, the end tables, the lamps, the lampshades, the sofa. Red is how she likes it. The easel itself is painted red, as is the canvas, and she always wears a red dress. To mention individual items is a pointless exercise, as it is impossible to distinguish shape from shape, item from item, form from form. It strains perception, and your eyes must make a profound adjustment coming into the room, and then readjust when you leave. It is similar to entering a room that is without light, pitch black, except that once your eyes adjust to the perpetual darkness, you come to accept the featureless quality of the darkened environment. Or else your eyes begin to detect faint shapes,…
“Red Studio” — A Short Story by Bob Conklin
